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10 Artists To Check Out From Japan

1. Kinoko Teikoku (Shoegaze, Indie Rock)

Kinoko Teikoku (きのこ帝国) have grown from a small lo-fi outfit, into one of Japanese Indie’s biggest exports. Their music is a fascinating blend of classic indie rock songwriting with shoegaze sonics, and some post-rock/experimental rock leanings. They manage to hug that line between experimental, forward thinking guitar work and catchy bombastic songwriting, creating something fulfilling on both surface glance, and deeper inspection.
Full Post On Kinoko
The Essential “Hits”:
Spring and Shura
WHIRLPOOL
The Sea
The Essential Albums: Whirlpool and Eureka

2. Kashiwa Daisuke (Post-Rock, Electronic)

Kashiwa Daisuke (柏大輔) makes a massive blend of post-rock, glitch, IDM, and classical music. His music is dramatic, and emotionally focused, with huge cathartic string crescendos pitted against sinking electronic lows that feel guttural and aggressive. He’s also been known to make more conventional electronic pop as well as conventional classical music, like on his album 88, (named after the number of keys on a piano). His music represents what is arguably Japan’s crowning contribution to the third wave of post rock.
Full Post On Kashiwa
The Essential “Hits”:
Stella (Yes, All Of It)
April.#19
Greenery Rain
The Essential Album: Program Music 1

3. Cornelius (Indie Pop, Electronic)

My personal favorite Japanese artist, Cornelius has become one of the most influential modern Japanese musicians, not only in Japan, but here in the west, where he's a cited influence on people like Beck, and Dan Deacon. His meticulous approach to production has crafted a wholly unique approach to indie pop, and pop music in general. It's got all the markings of pop music, but it's experimental in every element of its approach, with hard stereophonic panning, abstract sampling, and forward thinking production effects on both voice and instruments.
Full Post On Cornelius
The Essential “Hits”:
Mic Check
Point of View Point
Music
The Sun Is My Enemy
The Essential Album: Fantasma

4. Number Girl (Post-Hardcore, Indie Rock, Experimental Rock)

Number Girl have grown to become one of the most beloved, and influential post-hardcore acts around the world. The lead vocalist, guitarist, and primary songwriter Shutoku Mukai took his obsession with Pixies and Hüsker Dü (who he often mentions by name in his songs), and combined those harder alt-rock sounds with the kind of nostalgic post hardcore that bands like Sunny Day Real Estate were birthing in the early 90s. Number Girl flipped those somber, melancholic emotional palettes into blistering performances, melodic hardcore punk riffs, and a tendency towards noise and experimentation, all while becoming one of the most popular and catchy indie rock bands in Japan. The four piece consisting of Shutoku Mukai (Guitar, Vocals), Hisako Tabuchi (Guitarist), Kentarō Nakao (Bassist), and Ahito Inazawa (Drums) made one of the best album runs in Japanese music history and already appear on Rolling Stone Japan’s Best 100 Albums of All Time despite their entry only coming out in 1999.
Full Post On Number Girl
The Essential “Hits”:
Omoide in my Head
Young Girl Seventeen Sexually Knowing
delayed brain
TATTOOあり
The Essential Album: School Girl Distortion Addict (Poppier) or Sappukei (DarkeHeavier)

5. Cokiyu (Dream Pop, Ambient, Downtempo, IDM)

Cokiyu (Yukiko Ito), creates a very textural, warm brand of dream pop, where synths wash over everything, and the bulk of the real melodies are played by children’s instrument, to lend the music a childlike wonder, and innocence. Her music is incredibly soothing, and is often compared to the sounds of Icelandic band múm, but she takes those glitchy, warm textures to new heights, and even blends them with elements of noise-pop and dance-pop.
Full Post On Cokiyu
The Essential “Hits”:
Hedgehog’s Wedding
In The Air
Drag The Beast ( Non-Region blocked version)
The Essential Album: Mirror Flake

6. Lily Chou-Chou (Dream Pop, Alt Rock, Art Rock)

Technically, Lily Chou Chou is a fictional artist. “She” was created for Shunji Iwai’s 2001 film, All About Lily Chou Chou, a film about troubled teens who grow obsessed with the musician Lily Chou-Chou, but to create the kind of warm, dreamy music he wanted Lily Chou-Chou to represent, Shunji brought together Takeshi Kobayashi, an incredibly prolific and talented composer for film and tv, and Salyu, an untested female vocalist who would go on to be a legend in her own respect, and together they would make an actual album of 9 pop songs released by “Lily Chou-Chou” called ‘Kokyu’, or Breath. It’s an incredible album that jumps between Vespertine-esque Bjork, Brian Eno-esque art rock, and some Radiohead inspired alt-rock, all with a haunting, ethereal edge that makes it unique.
Full Post On Lily Chou-Chou
The Essential “Hits”:
Arabesque (Or the Dailymotion version without noise from the film)
Glide
Tobenai Tsubasa
The Essential Album: Breath

7. Ichiko Aoba (Avant-Folk, Contemporary Folk)

Ichiko Aoba (青葉市子) has managed to gain an incredible level of accaim in just a few years with her brand of classical guitar mixed with dreamy, cavernous folk. Despite her debut album only coming out in 2010, she has grown to be one of the most beloved modern artists in Japan, and has caught the attention of japanese music icons like Cornelius, Haruomi Hosono, and Ryuichi Sakamoto, who would all perform as her backing band for a live radio performance. Her music has elements of flamenco, sound collage, and experimental folk, all while retaining a very unique, dreamy quality that makes her music instantly recognizable.
Full Post On Ichiko Aoba
The Essential “Hits”:
Imperial Smoke Town
Sundial
Entrance Exit
The Essential Album: 0

8. Ryo Fukui (Modal Jazz, Cool Jazz) - RIP (1948-2016)

Ryo Fukui (福居良), who unfortunately passed away from a lymphoma in march of this year, was a self-taught jazz pianist based in Sapporo, Japan. He, like much of Japan, became fascinated with jazz following the end of World War 2, and its associated cultural embargo. Ryo would grow up listening to some of the most legendary jazz music to ever be released from musicians like Bill Evans, Miles Davis, and John Coltrane. But Ryo wouldn’t get to release his music, which heavily drew upon those sounds, until much later, in the mid 1970’s, well after most of his favorite artists had moved onto fusion jazz, or sunk into irrelevancy. And as Jazz was dying in America, Ryo, by virtue of living in Japan, was free of commercial pressures, or of artistic ceilings, and could make, what is quite possibly, some of the purest, most authentically passionate jazz albums of the decade, and would unfortunately, be mostly forgotten for it, until a online resurgence brought his music back into the limelight in the late 2000s, thankfully reviving the legend of some of the best Modal, and Cool Jazz Japan ever produced.
Full Post On Ryo Fukui
The Essential “Hits”:
Early Summer
I Want To Talk About You
My Foolish Heart
The Essential Album: Scenery

9. Lemon’s Chair (Post-Rock, Shoegaze)

Formed in Osaka by Masashi Imanishi and YUKO, Lemon’s Chair is a band known for their progressive fusing of third wave post rock and shoegaze. Often the structural influences come from post rock, but the sonic influences are directly related to shoegaze like My Bloody Valentine. Centered on the reverby dual guitar of Masashi and YUKO, Lemon’s Chair often complements their sound with textural electronics and percussion by various support drummers, or sometimes, by drum machines. Their music is not only reverant to their influences, but also progressive in its reinvention of the classic elements found in both post-rock and shoegaze.
Full Post On Lemon’s Chair
The Essential “Hits”:
Swallowtail
#9
Himmel
The Essential Album: I Hate? I Hope?

10. Midori Takada (Ambient, Experimental, Minimalism)

Midori Takada, who currently resides as a professor of Kunitachi College of Music, a notable private university with a pretty impressive alumni (including one famous porn actress), is one of the most prolific percussionists in Japan’s experimental/ambient scene, as well as in Japan's soundtrack sphere, having worked on huge titles like Final Fantasy X, Samurai X: Trust and Betrayal, and Haibane Renmei, as well as working with the legend Yoko Kanno herself. However, the true gem of her career, was a series of works released under her own name through the 80s and early 90s, where she crafted a strange, percussive focused take on ambient and minimalist music.
Full Post On Midori
The Essential “Hits”:
Mr. Henri Rousseau's Dream
Ancient Palace
The Essential Album: Through The Looking Glass
submitted by SamisSimas to indieheads

SHIMMER for Beginners: A Guide/FAQ ahead of SHIMMER 109-113

What is SHIMMER?

SHIMMER Women Athletes is an all-female wrestling company based out of Chicago. Before WWE’s women’s revolution, before TNA’s Knockouts division, before Women of Honor, there was SHIMMER. SHIMMER was founded in 2005 by Dave Prazak and Allison Danger because, as a manager in ROH and on the indies, Prazak got to know a lot of women in wrestling who felt underutilized and marginalized to being managers or valets because quite often they were the only women on the card. With Danger and a group of other women, Prazak put on the first SHIMMER shows, and the project snowballed from there. As Allison Danger said in a promo after Volume 1, they proved that American joshi was possible.

What is SHIMMER Wrestling like?

SHIMMER is stylistically diverse. They have WWE “main event” style matches, lucha, joshi, Britwres, ROH pure style, comedy, and more. Most matches are 8-20 minutes long. Singles, tag team, triple threat, and four-corner matches are their most common formats, and they rarely do stipulation matches. When they do, they build them as a big deal with storyline build. Most volumes tend to run 2-3 hours (more toward 3 hours on more recent volumes) and feature 10-12 matches. SHIMMER is fairly workrate focused, and very much in the vein of early ROH. There is comedy to be found, but it’s rare to have a comedy match as such, and even those are done with care for the match as a whole.
Because of SHIMMER’s taping schedule (four volumes over two days, twice annually, with a Wrestlemania weekend show as well), most stories tend to cluster around four-volume sets because of talent availability. This isn’t to say longer-form storytelling doesn’t happen in SHIMMER. The story of Trifecta (Mercedes Martinez, Nicole Savoy, and Shayna Baszler), for example, began at Volume 85 in June 2016, saw the trio break up over volumes 96-97 and Nicole Savoy win the SHIMMER Title from Mercedes on volume 99 in November 2017, and wasn’t put to rest until Volume 100 in April 2018 (Mercedes has continued to have a bone to pick with Savoy, but the breakup of Trifecta has given way to a broader “all the veterans against the young champion and the other new blood” kind of story since Volume 101).
One thing you’ll never see in SHIMMER is a vacant title. Dave Prazak has made it abundantly clear in interviews that SHIMMER will never vacate a title – they will always find a way to work around the circumstances of an injury or signing (One example: Sara Del Rey was SHIMMER Tag champion at the time she got signed to WWE, so SHIMMER authorized a title change at an NCW Femmes Fatales show to get the title off her. Nicole Savoy and Cherry Bomb have been injured as champions, and in both cases they were able to heal before dropping the titles).

What are the rules for SHIMMER matches?

  • For most matches, victories come via 3 count pinfalls or submissions. Submissions may be registered verbally, via tap-out, or via the arm dropping three times if the referee checks for that.
  • There is a 10 count outside the ring
  • There is a 5 count for rope breaks or general misbehavior inside the ring.
  • Disqualifications are possible, but uncommon. SHIMMER is generally very honorable wrestling – fewer than thirty matches have ended in disqualification.
  • Four-way matches, whether tag team or singles, are always contested under four-corners elimination rules, with only two legal participants at a time.

How often do SHIMMER shows run?

SHIMMER runs two taping weekends, one in the spring and one in the fall, taping two shows a day over the weekend. On Wrestlemania weekend they tape another volume, and this year Dave Prazak has said they intend to do more shows outside the Chicago area, though no details have come forth about that yet.

Who wrestles for SHIMMER?

SHIMMERfeatures a mix of US and international talent. The international talent comes from the UK, Mexico, Japan, and Europe. Big non-US names such as Aja Kong, Kana, Nikki Storm, Brittani and Saraya Knight, Sexy Star (as Dulce Garcia), Wesna, Ayako Hamada, Kay Lee Ray, Viper, and more have appeared for SHIMMER. Several current WWE talents on the main roster (Cesaro Becky Lynch, Bayley, the IIconics, Nikki Cross, Asuka, Ember Moon, Ruby Riott and Sarah Logan, Mickie James, Natalya, Beth Phoenix) and developmental (Shayna Baszler, Mia Yim, Candice LeRae, Chelsea Green, Dakota Kai, Deonna Purrazzo, Tegan Nox, Jinny, Toni Storm, Rachael Ellering ) have worked for SHIMMER. Of the 32 women in each Mae Young Classic, 17 from 2017’s tournament and 12 from 2018’s tournament have been inside a SHIMMER ring.
A breakdown of the SHIMMER roster:
I’m basing this largely on the last tapings. SHIMMER roster turnover means there’s a bit of churn due to wrestler availability, but some names have become pretty constant. Due to some wrestlers being signed by WWE since the last tapings (like Kay Lee Ray, Viper, and Rachael Ellering) or injured (Vanessa Kraven), I may be speculating in some of the below because of the major holes put in the upper card and serious midcard
The Current Upper Card: These are the women currently hanging around the title picture/most likely to be matched up with visiting legends:
  • Nicole Savoy Current SHIMMER Champion, queen of suplexes. The face of the new blood challenging the dominance of the veterans in SHIMMER
  • Cheerleader Melissa and Mercedes Martinez – SHIMMER originals and current SHIMMER Tag Champions, both are perennial challengers for any damn title they want, and right now they want to show the younger talent what tag team wrestling is all about.
  • LuFisto A perennial championship contender who has never quite gotten the job done, she is a vicious, embittered fighter who sees it as her due to be SHIMMER Champion. She won’t be at this weekend’s shows, but she will be in New York on April 5, so keep an eye out for her.
  • Shazza MCkenzie She’s heartcore! She’s heartcore! An Aussie import, Shazza’s gentle appearance belies her tenacity in the ring. Really endearing babyface, hard to understate that.
  • Kimber Lee She borders on upper card/serious midcard. A veteran and former SHIMMER Tag Champ, she’s surprisingly agile. A heel aligned with other veterans, but not especially part of the clique (last taping she, Mercedes, LuFisto, and Cheerleader Melissa were the team of the “SHIMMER Originals… and Kim”).
The Serious Midcard: These are regulars who win more than they lose, but aren’t in the main event as often as the bunch listed above.
  • Dust – Current Heart of SHIMMER Champion, managed by Rosemary. Very small, but very crafty heel with the support of the Shadow. She’s a lot tougher than she looks.
  • Dr. Britt Baker, DMD – SHIMMER’s resident dentist, Dr. Baker has been on the come-up since earning her degree.
  • Delilah Doom – The Queen of Aerobics Style, Doom recently lost the SHIMMER Tag Team Titles with her partner Leva Bates. Where she goes from here is anybody’s guess.
  • The Killer Death Machines – An absolute tag team threat, Nevaeh and Havok are bastard heels doing bastard heel things and use Havok’s size to their advantage very well. Quite the team.
  • Blue Nation – The Aussie duo of Charli Evans and Jessica Troy aren’t quite as set as the Killer Death Machines, but they compete well and have earned their way into serious contendership as a tag team.
The Comedy Midcard: What it says on the tin; these are midcarders with primarily comedic gimmicks, though that doesn’t mean they aren’t serious threats.
  • Leva Bates – The Cosplay Queen of SHIMMER, Leva Bates has twice been Tag Team Champion, but she and Doom lost the titles last tapings. What she’ll do next is up in the air.
  • Thunderkitty – It’s uncertain if a time vortex opened up in the SHIMMER locker room one day or not, but she’s been wrestling since she turned 25 all the way back in 1946. You can tell by her style that she’s more Mildred Burke than Charlotte Flair, but she brings a good fight.
  • Allie Kat – Literally a cat found in the alley, I’m pretty sure. She licks herself, chases cat toys and laser beams, and is at least as feline as Battle Kat was.
The Lower Midcard: They lose more than they win, but they’re generally treated as credible.
  • Shotzi Blackheart – The Ballsy Badass and poo-picture-profiteer extraordinare is a total dynamo. She’s able to compete on the level with legends like Cheerleader Melissa, despite not having the win-loss record you’d expect for someone doing so.
  • Samantha Heights – The Lost Girl. She’s a very trusting babyface, but she can turn it up in the ring a bit.
  • Team Sea stars – Delmi Exo and Ashley Vox are a new tag team to SHIMMER, but they’re a reel catch. They’ve already won over the audience, and there’s some clamoring from the SHIMMER faithful for them to rise up the ranks and knock off Melissa and Mercedes.
  • KC Spinelli – 2 Scoops! Two scoops of what? Nobody knows. Unless it’s muscle, she’s got a bit of that. Maybe tenacity, too.
  • Indi Hartwell – A young Australian wrestler who occasionally teams with Tessa Blanchard, Indi’s got some good stuff going for her and might eventually move up the card soon.
  • Hyan – A graduate of Booker T’s school, Hyan is much like Indi, a fine young heel wrestler proving herself and potentially in line to move up the card in the future.
  • Kiera Hogan – The girl on fire might hasn’t accomplished much in SHIMMER, but she’s constantly improving and getting to wrestle bigger names, so it’s only a matter of time before she breaks through to the next level.
  • Veda Scott – Veda’s become a bit odd lately, and wore that cat head thing to the ring last taping. She’s mostly here to help put over younger talent.
  • Solo Darling – She’s leaner than a pint of ice cream, and her high fives sting. She’s gotten real good lately.
  • Dynamite DiDi – Really solid heel who plays up both strength and beauty.
  • Holidead – A recent addition to the SHIMMER roster, Holidead is a bizarre woman who might also be Satan, if Thunderkitty is to be believed.
Foreign Stars: Around a little less than the rest of the roster, these women are nonetheless treated as main-event caliber threats and often headline the shows they’re on.
  • Madison Eagles – Australian wrestling legend, she’s big, strong, and super technically skilled. Trained nearly every Australian woman in wrestling who isn’t Tenille or the IIconics.
  • Saraya Knight – Paige’s mother. She kicks you in the…yeah. If there’s a final boss type person in SHIMMER, she’s it. You won’t find anyone quite like her anywhere else, unless you find her. Doesn’t get beaten often, but when she does it’s usually someone they think highly of.
  • Zoe Lucas – A UK import, Zoe Lucas is just all kinds of effective at making you hate her.
  • Rhia O’Reilly – An Irish wrestler who occasionally shows up in SHIMMER, Rhia is quite accomplished and always a threat.
Other people who matter: Significant people not covered above.
  • Tessa Blanchard Undeniable, a third generation wrestler who occasionally makes it in for SHIMMER shows. Tessa fights hard and is a threat at any spot on the card, though she likes to team with Indi Hartwell lately.
  • Vanessa Kraven The Mountain. She’s on the shelf with a broken leg, but she’s a constant upper midcard threat when healthy. 6’1” legit and her chops hurt like hell – I should know, I’ve taken one.
  • Rosemary SHIMMERverse Rosemary. She’s not competed in a while, but this might be the original incarnation? Part of her possession and control over former SHIMMER Tag Champ Courtney Rush happened in SHIMMER, so it makes some sense that she might be. Lately been managing Dust, but whispers say she’s ready to compete again in the SHIMMERverse.
  • Dave Prazak Founder and owner of SHIMMER, former manager in ROH to guys like CM Punk, Chris Hero, and Steve Corino. He heads up commentary duties and is generally swell to talk to.
  • Allison Danger Another founder of SHIMMER, Allison Danger is retired and hasn’t been around much of late, but she was once one of the central stars of the promotion, even winning the tag titles with Leva Bates as Regeneration-X. It’s her birthday this Berwyn weekend, so if you’re coming bring a brand new stuffed animal, because she’s doing a toy drive for the local children’s hospital.
  • Portia Perez A former tag team champion who has since retired, Portia Perez is an occasional heel commentary voice, and she does an excellent job of pushing Dave’s buttons (except for in the bizarre Thunderkitty vs. Spider Lady match where their alignments stayed the same, but Perez seemed to be the voice of reson).
  • Lexi Fyfe Retired SHIMMER alumna who serves as the on-screen commissioner of SHIMMER, also the founder of SHINE. She might make a match or two happen during a taping weekend.
• There are a bunch of other workers who’ve either made little impact or haven’t shown up in long enough that I didn’t cover them here. Apologies to that whole bunch, but this thing is gonna be long as it is.

Does NXT UK stuff apply here?

While SHIMMER isn’t in the UK, they do like to bring over British talents, and so they have been hit a bit with the NXT UK contracts preventing wrestlers from doing appearances. This isn’t as big an issue to SHIMMER as it might be for us; Toni Storm, Viper, Kay Lee Ray, and Jinny are confirmed as no longer available to work SHIMMER because of this, but Prazak just sees this as opening up slots for hungry new talent to step in and prove themselves. Considering Dave Prazak was behind the curtain consulting during the first Mae Young Classic, there’s at least a friendly-ish relationship between WWE and SHIMMER, so who knows. Only WWE and SHIMMER know the score, so we just have to trust they know what they’re doing.

Who are the current SHIMMER Champions?

Are there any annual tournaments or special events?

Not annually, but SHIMMER occasionally puts together a special match such as their SHIMMvivor series match from Volume 50, the ChickFight Tournament from volume 71, and the the Rumble-style battle royal from volume 19. Their annual Wrestlemania weekend shows don’t always feature such matches, but Volume 53’s steel cage match was the first in SHIMMER history and only possible because they can’t fit a cage in the Eagles Club.

Are there SHIMMER power rankings?

Not officially, but if you need some these are based on my read of recent tapings:
  • S Level – Saraya Knight
  • A Level – Mercedes Martinez, Cheerleader Melissa, Nicole Savoy
  • B Level – Jessicka Havok, Shazza McKenzie, Vanessa Kraven, Tessa Blanchard, LuFisto, Shotzi Blackheart, Delilah Doom, Leva Bates, Kimber Lee
  • C Level – Dust, Britt Baker, Zoe Lucas, Nevaeh, Ashley Vox, Delmi Exo, Charli Evans, Indi Hartwell, Jessica Troy
  • D Level – Veda Scott, Dynamite DiDi, Samantha Heights, Kiera Hogan
  • E Level –. Nobody, really, that I can think of
That doesn't cover everyone, but it gives you a general idea. These tiers are not rigid, and a given worker can generally lose to anyone one tier below them or conceivably beat anyone one tier above them.

How can I watch SHIMMER?

If you want select matches only, and the ability to download them, SHIMMER offers matches on Clickwrestle. They also have DVDs for the physical-media collectors, and their streaming site StreamShimmer. It costs $9.99 a month. For that you get every SHIMMER show from volume 1 to vol. 78 (they’re currently catching up to the physical releases).
For the upcoming SHIMMER shows March 30 and 31 you can watch them as an all-day ippv WWN March 30 or on FITE.TV March 30 and March 31. For the Wrestlemania weekend show April 5, you can watch it on FITE.TV or WWN.

I'm new to SHIMMER, where should I start?

Option one is to start at the beginning. There’s a bit of a regrettable gap, currently, between where the DVDs/StreamSHIMMER are at, and current shows. The streaming site should help the promotion with the cashflow issue that’s been bottlenecking production of new DVDs by allowing them to bypass that for initial releases of shows, but we’ll see. With SHIMMER joining the 21st century and doing ippvs, I think you can get away with just watching these upcoming shows and diving in and using the stream site for catch-up and DVDs as collectors’ items.
Also, because I’m mostly ripping of Xalazi’s format and they did this for Stardom:

10 Matches to Watch on StreamSHIMMER (or SHIMMER’s youtube, where they have a few matches up)

These aren’t necessarily the best 10 matches, as I prioritized diversity of workers and styles over sheer snowflake count, but should give you a good idea of both the roster SHIMMER sports and the variety it offers. That said, some of these may spoil long-run storylines so if you’re planning to start at a point before any of them, use your own discretion when deciding what’s safe to skip to. In no particular order:
  • Mercedes Martinez vs. Sara Del Rey, vol. 1 – This is the match that put SHIMMER on the map.
  • Kana vs. Ayako Hamada, vol. 50 – This might be the greatest match in SHIMMER history
  • Kana vs. Cheerleader Melissa, vol. 65 – What is it like when you take one of the very best of Japan and pit her against one of the best of the US? This match. Extremely physical as you would expect, and the finish is one of those where the loser looks absolutely monstrous in defeat.
  • Ayumi Kurihara & Tomoka Nakagawa vs. Madison Eagles & Sara Del Rey for the SHIMMER Tag Team Championship, vol. 43 – Two of SHIMMER’s greatest singles champions try to wrest the tag titles away from the joshis. This is top tier work all around.
  • Deonna Purrazzo vs. Madison Eagles, vol. 100 – This is a technical wrestling match par excellence. You want to see SHIMMER’s best match of 2018? This is the one.
  • Nicole Matthews vs. Athena vs. Cheerleader Melissa vs. Madison Eagles for the SHIMMER Championship, vol. 68 – This match is fire, literally. Anything more would be spoilers.
  • Lacey vs. Sara Del Rey, inaugural SHIMMER Championship tournament final, vol. 12 – SHIMMER wanted to wait until they had some shows under their belt and some recognizable, recurring names in the roster before crowning a champion.
  • Thunderkitty vs. Spider Lady, vol. 65 – It’s not often SHIMMER does straight up comedy, but this example shows how they can do it very well by re-opening the issue of the Original Screwjob.
  • MsChif vs. Amazing Kong, vol. 9 Everyone’s favorite heavy metal banshee MsChif tries to do the impossible and knock off the undefeated Amazing Kong.
  • Allison Danger vs. Rebecca Knox, vol. 3 – This match is an early gem both in SHIMMER’s catalogue, as well as Becky Lynch’s career. You owe it to yourself to watch this match. I’m not spoilering any of what happens here.

How can I find out what's coming up?

Following SHIMMER on Twitter or Facebook is your best bet.

I don’t want play catch-up, what are the big storylines right now?

Heading into volumes 109-113, I’d say the title pictures are the three most important things happening, and they’re all a bit open-ended:
  • Nicole Savoy’s current run of dominance has had her beat all-comers, and she’ll be over 500 days as champ by the time we arrive at the upcoming tapings. Will she continue to dominate, or will someone finally step up to dethrone her? And who could even hope to do it?
  • Cheerleader Melissa and Mercedes Martinez decided that since they couldn’t beat Savoy, they’d bully their way into getting involved in the tag title picture to show all the young women how it’s done. Expect a lot of younger teams to make runs at them to try and show that the youth of SHIMMER can take the old guard to the limit.
  • Dust continues to defend the Heart of SHIMMER with Rosemary at her side, even recently defeating Rachael Ellering without Rosemary’s presence as well. What exactly is Rosemary’s plan for Dust, and will someone take the title from Dust?

I have other questions!

Well I might have other answers. I’m not all-knowing, though, and with the gap in what’s available, I can’t answer anything that really covers between 82-99 in any kind of detail. You might try contacting SHIMMER directly if it’s a question they’re better suited to answering.

You got something wrong/left someone out!

Ok, tell me about it. Happy to update/I could honestly use the help.

Bottom line me: Why should I watch SHIMMER?

If you want to see the most consistently high quality and best women’s wrestling happening in the United States, SHIMMER’s the place to go. A lot of women in SHIMMER have gone on to work in WWE, Impact, or ROH (and soon AEW with the signings of Kylie Rae and Britt Baker), but their best work stateside has very often been in SHIMMER. There simply isn’t a better body of quality American women’s wrestling out there.
One of the best qualities of SHIMMER is its respect for its titles. The championships are the biggest thing in the promotion, and there has never been a vacancy for any of them. In an interview on Madusa’s podcast, Dave Prazak said SHIMMER will never vacate a title – he feels that it cheapens the championship to do that. They will always find a way to work around injury or a signing to avoid putting a vacancy in the title history (as they did when Sara Del Rey signed as a trainer with WWE and they scheduled a quick title drop in Canada on an NCW Femmes Fatales show), no matter the situation.
If you want 40+ minute epics, SHIMMER’s not really the place for you. Their sweet spot is 10-15 minutes of excellently paced, hard-hitting wrestling. That’s not to say they don’t have long matches, but they are comparatively fewer.
As for downsides, SHIMMER can be very slow to adapt. It took until 2018 for them to put together a streaming site, and while the site works well enough, it’s rather limited in its capabilities. If you attend SHIMMER in person, be prepared for a very long day. Two tapings in one day, with each being about 3-3.5 hours, is quite a bit to sit through. It’s absolutely worth it, but I don’t blame anyone who can’t do it.
Due to the way tapings are scheduled as a weekend marathon, SHIMMER rarely announces many matches ahead of time. They don’t need to – they sell out their venue on brand and talent announcements alone. As they approach the weekend, they'll generally announce a few of the matches for the first volume of the taping and the stories progress from there (as of this morning, volume 109 has Nicole Savoy defending against Britt Baker and Rosemary returning to action against Samantha Heights). It’s great for them, but it does mean that you have to trust the promotion as a fan. They tend to advertise matches for their Mania weekend card, but this go around it will have to wait until after they finish the tapings this weekend.
The big issue SHIMMER faces is not a matter of content, wrestling style, or anything they have any real control over. Rather, it is their very small operating budget. Sure, the Eagle’s Club has a chandelier above the ring and that looks fancy, but SHIMMER operates on a shoestring. The small scale of the Eagle’s Club means that there’s no way to sell enough tickets to actually recoup the cost of the renting the venue from ticket sales alone (and that doesn’t count SHIMMER paying for travel expenses for international talent to come in, which they do). Essentially, SHIMMER lays out a lot of money and needs to sell the physical DVDs (and now subscriptions) to be able to cover the cost of the show. Except pressing the DVDs and having them made to a high standard also costs a lot of money, so SHIMMER pretty much lives off the sales of the DVDs and subscriptions. It’s led to them getting to the point of being a couple years behind on DVDs (Volumes 82-83 are only just now coming out on disc) because they simply don’t have the money to keep up in real time. Until SHIMMER can get their financial status situated, it’s going to be hard to close that gap, but without closing that gap it makes audiences hesitant to invest in the product, forcing a catch-22 situation.
Overall, it’s an exceedingly well-booked promotion that puts on at least a couple great matches per show and a good atmosphere. If you’re into women’s wrestling, you should probably be into SHIMMER.
American joshi is possible
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