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Tracking & CleanupVFX Suite features lighting-fast, accurate planar tracking, right inside of After Effects — no need to step out of AE for great corner-pin tracking results anymore. Whether you’re pinning a rectangular sign or something not rectangular at all, King Pin Tracker has you covered. Also included is Spot Clone Tracker, a powerful tool for quickly removing anything from skin blemishes to unwanted objects in your shot.
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VFX Primatte KeyerPrimatte Keyer is a powerful tool for fast, automatic chroma keying. Whether you are using a green screen or blue screen, Primatte Keyer’s auto compute algorithms can often pull a perfect key automatically. The new user interface and clean up tools make it easy to select and separate your background and foreground.
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VFX Optical GlowOptical Glow is a blazing fast, drop-dead gorgeous, photo-realistic glow effect for use in professional visual effects and motion graphics. It’s easily the most beautiful, highest-quality glow you’ve ever had on your timeline. There’s actually a lot of science behind why it looks so much better than the glows you’ve been using for years, but the bottom line is it’s just super awesome.
VFX Chromatic DisplacementChromatic Displacement uses one layer to displace the pixels of another, while smoothly separating out the colors. Unlike the Displacement Map effect in After Effects, Chromatic Displacement uses the displacement image as a height map, which gives you beautiful, organic results. We designed Chromatic Displacement for creating professional visual effects, such as force fields, heat ripples, light refractions, cloaking effects, and much more – but it’s also great for motion graphics.
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Chroma keying/greenscreen in Resolve 15?
I tried just doing it using Resolve's qualifier feature, it works okay with roughly replacing the background, but I can't for the life of me get rid of the blue edge that remains around the subject, especially between the hair. If I blur it, it looks blurry, if I contract it, it looks weird, so I just don't know what to do.
I tried using the built-in Fusion but I then run into new problems. For example, as soon as I do anything in the Fusion panel, the clip shrinks in size and the top 5% becomes chopped off, requiring me to zoom in a bit and use some output blanking to hide the problem. I cannot get rid of this issue even if I delete all the Fusion nodes or press Undo a million times. The only solution is to start over from scratch, which sucks.
Is Resolve simply not suitable for chroma keying, or am I missing something? I don't want to waste more time trying to figure it out if it's impossible to begin with.